In 1969 producer Manfred Eicher founded a new record label, Edition of Contemporary Music, in Munich. More than 1,000 albums later, after many landmark recordings and new discoveries—including Keith Jarrett's best-selling "Koln Concert," Jan Garbarek's saxophone improvisations, and Estonian composer Arvo Part's profoundly moving minimalism—ECM stands as a model of musical indep...(展开全部)

In 1969 producer Manfred Eicher founded a new record label, Edition of Contemporary Music, in Munich. More than 1,000 albums later, after many landmark recordings and new discoveries—including Keith Jarrett's best-selling "Koln Concert," Jan Garbarek's saxophone improvisations, and Estonian composer Arvo Part's profoundly moving minimalism—ECM stands as a model of musical indep...(展开全部)

Following the success of “Sleeves of Desire”, a second publication is now being devoted to the cover art of the label ECM, Edition of Contemporary Music, focusing above all on sleeve design from 1996 to the present. Since its founding in 1969, ECM has been dedicated primarily to jazz and contemporary classical music and is a leading international label in both these fields. ECM...(展开全部)

Following the success of “Sleeves of Desire”, a second publication is now being devoted to the cover art of the label ECM, Edition of Contemporary Music, focusing above all on sleeve design from 1996 to the present. Since its founding in 1969, ECM has been dedicated primarily to jazz and contemporary classical music and is a leading international label in both these fields. ECM...(展开全部)

耶胡迪・梅纽因在七岁首次登上音乐厅舞台时便震惊了音乐界，此后便一直是他那个时代的传奇人物。他不仅是位杰出的音乐家，而且是位作家、历史学家和人道主义者。乔治・斯坦纳曾评价道：“梅纽因的光芒……已使自己诠释音乐的过程成为一种彻底的情感表达和人性的体现。”梅纽因于1916年出生于美国的一个俄裔犹太人家庭。他十岁时在巴黎首次面对十分挑剔的欧洲音乐精英；十二岁时，他便在柏林同布鲁诺・瓦尔特合作演出。作为小提琴演奏大师和著名指挥家，梅纽因的作品被录音的次数超过了20世纪的所有音乐家。他曾在世界备地的音乐厅里演奏，并在第二次世界大战期间活跃在各个盟军战区，为将士们献艺。梅纽因充分意识到音乐神童所面临的问题，于是在英国萨里郡的斯托克达伯农创办了一所音乐学校，为来自世界各地的天才音乐学子提供学院教育和最好的音乐专业培养。然而，耶胡迪・梅纽因的兴趣远不止局限于小提琴家、...(展开全部)

This classic work is perhaps Bernstein's finest collection of conversations on the meaning and wonder of music. This book is a must for all music fans who wish to experience music more fully and deeply through one of the most inspired, and inspiring, music intellects of our time. Employing the creative device of "Imaginary Conversations" in the first section of his book, Bernst...(展开全部)

道恩·威尔顿(Donn Welton)，美国纽约州立大学石溪分校哲学系教授。曾在德国科隆大学从学于胡塞尔之助手路德维希·兰德格里博(Ludwig Landgrebe)，后长期从事德国现象学和法国现象学研究，特别是在胡塞尔研究中卓有建树。曾在牛津大学、德国图宾根大学和马堡大学从事教学和研究工作，并多次来中国讲学。著有：《意义的起源：胡塞尔现象学之开端的批判性研究》(The Origins of Meaning)、《另类胡塞尔》(The Other Husserl)；主编：《新胡塞尔》(The New Husserl)、《胡塞尔精粹：先验现象学基本著作》(The Essential Husserl)，并与比利时鲁汶大学胡塞尔档案馆馆长贝尔内特(Bernet)等主编了5卷本的《一流哲学家评价：胡塞尔卷》(EDMUND HUSSERL： Critical A...(展开全部)

This book teaches functional programming through creative applications in music and sound synthesis. Readers will learn the Haskell programming language and explore numerous ways to create music and design virtual instruments with concise, elegant code.